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Hppy Nw Yr 2012

-= Happy New Year 2012 =-
Best Wishes for You and Your Family

from ErrorizeR
from She Could Kill

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She Could Kill MMXI

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Ace Spade

Ace Spade

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Pattern

A design pattern in architecture and computer science is a formal way of documenting a solution to a design problem in a particular field of expertise. The idea was introduced by the architect Christopher Alexander in the field of architecture and has been adapted for various other disciplines, including computer science. An organized collection of design patterns that relate to a particular field is called a pattern language.

The elements of this language are entities called patterns. Each pattern describes a problem that occurs over and over again in our environment, and then describes the core of the solution to that problem, in such a way that you can use this solution a million times over, without ever doing it the same way twice. — Christopher Alexander

The usefulness of speaking of patterns is to have a common terminology for discussing the situations designers already see over and over.

You can make this pict using an tiled pattern below

A pattern must explain why a particular situation causes problems, and why the proposed solution is considered a good one. Christopher Alexander describes common design problems as arising from "conflicting forces" -- such as the conflict between wanting a room to be sunny and wanting it not to overheat on summer afternoons. A pattern would not tell the designer how many windows to put in the room; instead, it would propose a set of values to guide the designer toward a decision that is best for their particular application. Alexander, for example, suggests that enough windows should be included to direct light all around the room. He considers this a good solution because he believes it increases the enjoyment of the room by its occupants. Other authors might come to different conclusions, if they place higher value on heating costs, or material costs. These values, used by the pattern's author to determine which solution is "best", must also be documented within the pattern.
A pattern must also explain when it is applicable. Since two houses may be very different from one another, a design pattern for houses must be broad enough to apply to both of them, but not so vague that it doesn't help the designer make decisions. The range of situations in which a pattern can be used is called its context. Some examples might be "all houses", "all two-story houses", or "all places where people spend time". The context must be documented within the pattern.
For instance, in Christopher Alexander's work, bus stops and waiting rooms in a surgery center are both part of the context for the pattern "A PLACE TO WAIT".

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She's a Roman Woman

A roman woman??
But she could kill. . .


Free-born women in ancient Rome were citizens (cives), but could not vote or hold political office. Because of their limited public role, women are named less frequently than men by Roman historians. But while Roman women held no direct political power, those from wealthy or powerful families could and did exert influence through private negotiations. Exceptional women who left an undeniable mark on history range from the semi-legendary Lucretia and Claudia Quinta, whose stories took on mythic significance; fierce Republican-era women such as Cornelia, mother of the Gracchi, and Fulvia, who commanded an army and issued coins bearing her image; women of the Julio-Claudian dynasty, most prominently Livia, who contributed to the formation of Imperial mores; and the empress Helena, a driving force in establishing Christianity as the official religion of Rome.
As is the case with male members of society, elite women and their politically significant deeds eclipse those of lower status in the historical record. Inscriptions and especially epitaphs document the names of a wide range of women throughout the Roman Empire, but often tell little else about them. Some vivid snapshots of daily life are preserved in Latin literary genres such as comedy, satire, and poetry, particularly the poems of Catullus and Ovid, which offer glimpses of women in Roman dining rooms and boudoirs, at sporting and theatrical events, shopping, putting on makeup, practicing magic, worrying about pregnancy — all, however, through male eyes. The published letters of Cicero, for instance, reveal informally how the self-proclaimed great man interacted on the domestic front with his wife Terentia and daughter Tullia, as his speeches demonstrate through disparagement the various ways Roman women could enjoy a free-spirited sexual and social life.
The one major public role reserved solely for women was in the sphere of religion: the priestly office of the Vestals. Freed of any obligation to marry or have children, the Vestals devoted themselves to the study and correct observance of rituals which were deemed necessary for the security and survival of Rome but which could not be performed by the male colleges of priests.

Aristocratic women managed a large and complex household. Since wealthy couples often owned multiple homes and country estates with dozens or even hundreds of slaves, some of whom were educated and highly skilled, this responsibility was the equivalent of running a small corporation. In addition to the social and political importance of entertaining guests, clients, and visiting dignitaries from abroad, the husband held his morning business meetings (salutatio) at home. The home (domus) was also the center of the family's social identity, with ancestral portraits displayed in the entrance hall (atrium). Since the most ambitious aristocratic men were frequently away from home on military campaign or administrative duty in the provinces, sometimes for years at a time, the maintenance of the family's property and business decisions were often left to the wives; for instance, while Julius Caesar was away from Rome throughout the 50s BC, his wife Calpurnia Pisonis was responsible for taking care of his assets. When Ovid, Rome's greatest living poet, was exiled by Augustus in 8 AD, his wife exploited social connections and legal maneuvers to hold on to the family's property, on which their livelihood depended. Ovid expresses his love and admiration for her lavishly in the poetry he wrote during his exile. Frugality, parsimony, and austerity were characteristics of the virtuous matron.
One of the most important tasks for women to oversee in a large household was clothing production. At one time, the spinning of wool was a central domestic occupation, and indicated a family's self-sufficiency, since the wool would be produced on their estates. Even in an urban setting, wool was often a symbol of a wife's duties, and equipment for spinning might appear on the funeral monument of a woman to show that she was a good and honorable matron. Even women of the upper classes were expected to be able to spin and weave in virtuous emulation of their rustic ancestors — a practice ostentatiously observed by Livia.

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Flash Animated SWF Ads

Copy this script and Paste to your blog or site. . .

<a href="http://oelhoem93.blogspot.com"><embed height="393" pluginspage="http://www.macromedia.com/shockwave/download/index.cgi?P1_Prod_Version=ShockwaveFlash" quality="high" src="http://www.shecouldkill.com/images/Ads.swf" type="application/x-shockwave-flash" width="153"></embed></a>



Smoother than GIF animation, with better color. . .


So, what's SWF??

SWF is a file format for multimedia, vector graphics and ActionScript in the Adobe Flash environment. Originating with FutureWave Software, then transferred to Macromedia, and then coming under the control of Adobe, SWF files can contain animations or applets of varying degrees of interactivity and function.
Currently, SWF functions as the dominant format for displaying "animated" vector graphics on the Web. It may also be used for programs, commonly browser games, using ActionScript.
SWF files can be generated from within several Adobe products: Flash, Flash Builder (an IDE) and After Effects, as well as through MXMLC, a command line application compiler which is part of the freely available Flex SDK. Other than Adobe products, SWFs can be built with open source Motion-Twin ActionScript 2 Compiler (MTASC), the open source Ming library, the free software suite SWFTools, the proprietary SWiSH Max2. There are also various third party programs that can produce files in this format, such as Multimedia Fusion 2, Captivate or SWiSH Max.
Originally, the term SWF was used as an abbreviation for ShockWave Flash. This usage was changed to the backronym Small Web Format to eliminate confusion with a different technology, Shockwave, from which SWF was derived.

FutureWave Software was a small company later acquired by Macromedia, originally defined the file format with one primary objective: to create small files for displaying entertaining animations. The idea was to have a format which could be reused by a player running on any system and which would work with slower network connections.
Adobe acquired Macromedia in 2005.
On May 1, 2008, Adobe dropped its licensing restrictions on the SWF format specifications, as part of the Open Screen Project. However, Rob Savoye, a member of the Gnash development team, has pointed to some parts of the Flash format which remain closed. On July 1, 2008, Adobe released code which allowed the Google and Yahoo search-engines to crawl and index SWF files.

Originally limited to presenting vector-based objects and images in a simple sequential manner, the format in its later versions allows audio (since Flash 3), video (since Flash 6) and many different possible forms of interaction with the end user. Once created, SWF files can be played by the Adobe Flash Player, working either as a browser plugin or as a standalone player. SWF files can also be encapsulated with the player, creating a self-running SWF movie called a "projector".
Adobe makes available plugins, such as Adobe Flash Player and Adobe Integrated Runtime, to play SWF files in web browsers on many desktop operating systems, including Microsoft Windows, Apple Mac OS X, and Linux on the x86 architecture. As of 2007 intensive development had taken place on Gnash, a free-software implementation of a SWF player. Another FOSS implementation is Swfdec.
Based on an independent study conducted by Millward Brown, over 99% of Web users now have an SWF plugin installed, with around 90% having the latest version of the Flash Player.
Sony PlayStation Portable consoles can play limited SWF files in Sony's web browser, beginning with firmware version 2.71. Both the Nintendo Wii and the Sony PS3 consoles can run SWF files through their Internet browsers.
Many of today's smartphones support SWF (although sometimes not fully compatible) in their web browsers. Apple's iPhone is one of the smartphones that do not support SWF. Apple claims that SWF is a closed, proprietary format.

Animated Ads

A animated GIF ads for This Blog. . .

Using Adobe Flash CS3, export to GIF Movie. . .


But what is GIF??


The Graphics Interchange Format (GIF) is a bitmap image format that was introduced by CompuServe in 1987 and has since come into widespread usage on the World Wide Web due to its wide support and portability.
The format supports up to 8 bits per pixel thus allowing a single image to reference a palette of up to 256 distinct colors. The colors are chosen from the 24-bit RGB color space. It also supports animations and allows a separate palette of 256 colors for each frame. The color limitation makes the GIF format unsuitable for reproducing color photographs and other images with continuous color, but it is well-suited for simpler images such as graphics or logos with solid areas of color.
GIF images are compressed using the Lempel-Ziv-Welch (LZW) lossless data compression technique to reduce the file size without degrading the visual quality. This compression technique was patented in 1985. Controversy over the licensing agreement between the patent holder, Unisys, and CompuServe in 1994 spurred the development of the Portable Network Graphics (PNG) standard; since then all the relevant patents have expired.

CompuServe introduced the GIF format in 1987 to provide a color image format for their file downloading areas, replacing their earlier run-length encoding (RLE) format, which was black and white only. GIF became popular because it used LZW data compression, which was more efficient than the run-length encoding that formats such as PCX and MacPaint used, and fairly large images could therefore be downloaded in a reasonably short time, even with very slow modems.
The original version of the GIF format was called 87a. In 1989, CompuServe devised an enhanced version, called 89a, which added support for animation delays (multiple images in a stream were already supported in 87a), transparent background colors, and storage of application-specific metadata. The 89a specification also supports incorporating text labels as text (not embedding them in the graphical data), but as there is little control over display fonts, this feature is not widely used. The two versions can be distinguished by looking at the first six bytes of the file (the "magic number" or "signature"), which, when interpreted as ASCII, read "GIF87a" and "GIF89a", respectively.
GIF was one of the first two image formats commonly used on Web sites, the other being the black and white XBM.[citation needed] JPEG came later with the Mosaic browser.
The feature of storing multiple images in one file, accompanied by control data, is used extensively on the Web to produce simple animations. The optional interlacing feature, which stores image scan lines out of order in such a fashion that even a partially downloaded image was somewhat recognizable, also helped GIF's popularity, as a user could abort the download if it was not what was required.

Her Pentagram

Another SheCouldKill's Pentagram. . .

Lets continue its article. . .


Heinrich Cornelius Agrippa and others perpetuated the popularity of the pentagram as a magic symbol, keeping the Pythagorean attributions of elements to the five points. By the mid-19th century a further distinction had developed amongst occultists regarding the pentagram's orientation. With a single point upwards it depicted spirit presiding over the four elements of matter, and was essentially "good". However, the influential writer Eliphas Levi called it evil whenever the symbol appeared the other way up.
"A reversed pentagram, with two points projecting upwards, is a symbol of evil and attracts sinister forces because it overturns the proper order of things and demonstrates the triumph of matter over spirit. It is the goat of lust attacking the heavens with its horns, a sign execrated by initiates."
"The flaming star, which, when turned upside down, is the hierolgyphic [sic] sign of the goat of Black Magic, whose head may be drawn in the star, the two horns at the top, the ears to the right and left, the beard at the bottom. It is the sign of antagonism and fatality. It is the goat of lust attacking the heavens with its horns."
"Let us keep the figure of the Five-pointed Star always upright, with the topmost triangle pointing to heaven, for it is the seat of wisdom, and if the figure is reversed, perversion and evil will be the result."

In the Bahá'í Faith, the star is known as the Haykal (Arabic: "temple"‎), and it was initiated and established by the Báb. The Báb and Bahá'u'lláh wrote various works in the form of a pentagram.

The Church of Jesus Christ of Latter-day Saints began using both upright and inverted five-pointed stars in Temple architecture, dating from the Nauvoo Illinois Temple, which was dedicated on April 30, 1846. Other temples decorated with five-pointed stars in both orientations include the Salt Lake Temple, and the Logan Temple. These symbols derived from traditional Morning Star pentagrams that are no longer commonly used by other Christian denominations.

Many Neopagans, especially Wiccans, use the pentagram as a symbol of faith similar to the Christian cross or the Jewish Star of David. Its religious symbolism is commonly explained by reference to the neo-Pythagorean understanding that the five vertices of the pentagram represent the four elements with the addition of Spirit as the uppermost point. As a representation of the elements, the pentagram is involved in the Wiccan practice of summoning the elemental spirits of the four directions at the beginning of a ritual.
The outer circle of the circumscribed pentagram is sometimes interpreted as binding the elements together or bringing them into harmony with each other. The Neopagan pentagram is generally displayed with one point up, partly because of the "inverted" goat's head pentagram's association with Satanism; however, within traditional forms of Wicca a pentagram (no circle) with two points up is associated with the Second Degree Initiation and in this way differs from the encircled pentacle inverted of Satanism.
Because of a perceived association with Satanism and also because of negative societal attitudes towards Neopagan religions and the "occult", many United States schools have sought to prevent students from displaying the pentagram on clothing or jewelry. In public schools, such actions by administrators have been determined to be in violation of students' First Amendment right to free exercise of religion.
The circle around a pentagram (transforming it in to a pentacle) is a symbol of "unity, wholeness, infinity, the goddess, and protection. To earth-centered religions throughout history as well as to many contemporary pagans, it represents the feminine spirit or force, the cosmos or a spiritualism Mother Earth, and a sacred space."[citation needed] The five-pointed star is representative of the four primal elements (earth, air, fire and water,) and traditionally a fifth, called spirit. The circle binds them together to create life. When pointing up, the pentagram can represent spirituality's dominance over the material (pentagram) bound inside the laws of the cosmos (circle). The upside-down facing pentagram, meanwhile, represents the physical world ruling over the spiritual, and has therefore been associated with dark magic. Other sources point to its origin in Chinese five-element philosophy (see feng shui), as the natural balance between fire, water, earth, wood, and metal. This theory states that the direction it is pointing has nothing to do with good or evil, but rather the upside-down facing circle is for banishing. The circle is again for the concept the power within is bound by, this time for the circle of life.

Satanists use a pentagram with two points up, often inscribed in a double circle, with the head of a goat inside the pentagram. This is referred to as the Sigil of Baphomet. They use it much the same way as the Pythagoreans, as Tartaros literally translates from Greek as a "Pit" or "Void" in Christian terminology (the word is used as such in the Bible, referring to the place where the fallen angels are fettered). The Pythagorean Greek letters are most often replaced by the Hebrew letters לויתן forming the name Leviathan. Less esoteric LaVeyan Satanists use it as a sign of rebellion or religious identification, the three downward points symbolising rejection of the holy Trinity

Aleister Crowley also made use of the pentagram and in his Thelemic system of magick: an adverse or inverted pentagram represents the descent of spirit into matter, according to the interpretation of Lon Milo DuQuette. Crowley contradicted his old comrades in the Hermetic Order of the Golden Dawn, who following Levi considered this orientation of the symbol evil and associated it with the triumph of matter over spirit.

Pentagram

A pentagram (sometimes known as a pentalpha or pentangle or, more formally, as a star pentagon) is the shape of a five-pointed star drawn with five straight strokes. The word pentagram comes from the Greek word πεντάγραμμον (pentagrammon), a noun form of πεντάγραμμος (pentagrammos) or πεντέγραμμος (pentegrammos), a word meaning roughly "five-lined" or "five lines", from πέντε (pente), "five" + γραμμή (grammē), "line".
Pentagrams were used symbolically in ancient Greece and Babylonia, and are used today as a symbol of faith by many Wiccans, akin to the use of the cross by Christians and the Star of David by Jews. The pentagram has magical associations, and many people who practice Neopagan faiths wear jewelry incorporating the symbol. Christians once more commonly used the pentagram to represent the five wounds of Jesus. The pentagram has associations with Freemasonry[6] and is also utilized by other belief systems.
The word "pentacle" is sometimes used synonymously with "pentagram", and this usage is borne out by the Oxford English Dictionary, although that work specifies that a circumscription makes the shape more particularly a pentacle. Wiccans and Neo-pagans often make use of this more specific definition for a pentagram enclosed in a circle.

The first known uses of the pentagram are found in Mesopotamian writings dating to about 3000 BC. The Sumerian pentagrams served as pictograms for the word "UB" meaning "corner, angle, nook; a small room, cavity, hole; pitfall," suggesting something very similar to the pentemychos (see below on the Pythagorean use for what pentemychos means). In René Labat's index system of Sumerian hieroglyphs/pictograms it is shown with two points up. In the Babylonian context, the edges of the pentagram were probably orientations: forward, backward, left, right, and "above". These directions also had an astrological meaning, representing the five planets Jupiter, Mercury, Mars and Saturn, and Venus as the "Queen of Heaven" (Ishtar) above.

The Pythagoreans called the pentagram ὑγιεία Hugieia ("health"; also the Greek goddess of health, Hygieia), and saw in the pentagram a mathematical perfection (see Geometry section below).
The ancient Pythagorean pentagram, with two legs up, represented the Pentemychos (πεντέμυχος "of five sanctuaries"), a cosmogony written by Pythagoras' teacher and friend Pherecydes of Syros. It was the "island" or "cave"[13] where the first pre-cosmic-offspring had to be put in order for the cosmos to appear: "the divine products of Chronos' seed [σπέρμα spérma], when disposed in five recesses, were called Πεντέμυχος (Pentemuxos)".

Rome Knight

A RomeKnight for SCK Logo. . .

Why knight??


A knight is a member of the warrior class of the Middle Ages in Europe who followed a code of law called "chivalry". In other Indo-European languages, cognates of cavalier or rider are more prevalent (e.g., French chevalier and German Ritter), suggesting a connection to the knight's mode of transport. Since antiquity a position of honour and prestige has been held by mounted warriors such as the Greek hippeus and the Roman eques, and knighthood in the Middle Ages was inextricably linked with horsemanship.
The British legend of King Arthur was popularised throughout Europe in the Middle Ages by the cleric Geoffrey of Monmouth in his Historia Regum Britanniae ("History of the Kings of Britain"), written in the 1130s. Sir Thomas Malory's Le Morte d'Arthur ("The Death of Arthur"), written in 1485, was important in defining the ideal of chivalry which is essential to the modern concept of the knight as an elite warrior sworn to uphold the values of faith, loyalty, courage, and honour. During the Renaissance, the genre of chivalric romance became popular in literature, growing ever more idealistic and eventually giving rise to a new form of realism in literature popularised by Miguel de Cervantes' Don Quixote. This novel explored the ideals of knighthood and their incongruity with the reality of Cervantes' world. In the late medieval period, new methods of warfare began to render classical knights in armour obsolete, but the titles remained in many nations.
Some orders of knighthood, such as the Knights Templar, have themselves become the object of legend; others have disappeared into obscurity. Today, a number of orders of knighthood continue to exist in several countries, such as the English Order of the Garter, the Swedish Royal Order of the Seraphim, and the Royal Norwegian Order of St. Olav. Each of these orders has its own criteria for eligibility, but knighthood is generally granted by a head of state to selected persons to recognise some meritorious achievement.

The word knight, from Old English cniht ("boy" or "servant"), is a cognate of the German word Knecht ("servant, bondsman"). This meaning, of unknown origin, is common among West Germanic languages (cf: Old Frisian kniucht, Dutch knecht, Danish knægt, Swedish knekt, Middle High German kneht, all meaning "boy, youth, lad", as well as German Knecht "servant, bondsman, vassal"). Old English cniht had no particular connection to horsemanship, referring to any servant. A rādcniht (meaning "riding-servant") was a servant delivering messages or patrolling coastlines on horseback. Old English cnihthād ("knighthood") had the meaning of adolescence (i.e. the period between childhood and manhood) by 1300.
A narrowing of the generic meaning "servant" to "military follower of a king or other superior" is visible by 1100. The specific military sense of a knight being a mounted warrior in the heavy cavalry emerges only in the Hundred Years' War. The verb "to knight", i.e. to make someone a knight appears around 1300, and from the same time, the word "knighthood" shifted from "adolescence" to "rank or dignity of a knight".
In this respect English differs from most other European languages, where the equivalent word emphasizes the status and prosperity of war horse ownership. Linguistically, the association of horse ownership with social status extends back at least as far as ancient Greece, where many aristocratic names incorporated the Greek word for horse, like Hipparchus and Xanthippe; the character Pheidippides in Aristophanes' Clouds has his grandfather's name with hipp- inserted to sound more aristocratic. Similarly, the Greek ἱππεύς (hippeus) is commonly translated "knight"; at least in its sense of the highest of the four Athenian social classes, those who could afford to maintain a warhorse in the state service.
An Equestrian (Latin, from eques "horseman", from equus "horse") was a member of the second highest social class in the Roman Republic and early Roman Empire. This class is often translated as "knight"; the medieval knight, however, was called miles in Latin, (which in classical Latin meant "soldier", normally infantry).
In the later Roman Empire the classical Latin word for horse, equus, was replaced in common parlance by vulgar Latin caballus, sometimes thought to derive from Gaulish caballos.[8] From caballus arose terms in the various Romance languages cognate to the (French-derived) English cavalier: Old Italian cavaliere, Italian cavallo, French cheval, Spanish caballero, French chevalier, Portuguese cavaleiro, Romanian cavaler. The Germanic languages prefer terms cognate to the English rider: German Ritter, and Dutch and Scandinavian ridder.
6HX4SECED7RA

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Horrible

This is My Brother's Horrible T-shirt Design. . .

Skull, Ace Scoop, n floral, made it look vintage. . .



Vintage, in wine-making, is the process of picking grapes and creating the finished product ( see Harvest (wine)) . A vintage wine is one made from grapes that were all, or primarily, grown and harvested in a single specified year. In certain wines, it can denote quality, as in Port wine, where Port houses make and declare vintage Port in their best years. From this tradition, a common, though incorrect, usage applies the term to any wine that is perceived to be particularly old or of a particularly high quality.
Most countries allow a vintage wine to include a portion of wine that is not from the year denoted on the label. In Chile and South Africa, the requirement is 75% same-year content for vintage-dated wine. In Australia, New Zealand, and the member states of the European Union, the requirement is 85%. In the United States, the requirement is 85%, unless the wine is designated with an AVA, (e.g., Napa Valley), in which case it is 95%. Technically, the 85% rule in the United States applies equally to imports, but there are obvious difficulties in enforcing the regulation.
The opposite of a vintage wine is a nonvintage wine (often seen on a wine list as NV), which is usually a blend from the produce of two or more years. This is a common practice for winemakers seeking a consistent style of wine, year on year.

The importance of vintage, however, is both varied and disputed.
In wine produced on the colder limits of wine production, vintage is often very important, because some seasons will be much warmer and produce riper grapes and better wine for people to drink. On the other hand, a poor growing season can lead to grapes low in sugar, which lowers the quality of the resulting wine.
In many wine regions, especially in the New World, growing seasons are much more uniform. In dry regions, the systematic and controlled use of irrigation also contributes to uniform vintages. However, such wines are regularly labeled by vintage because of consumer demand.
Wines of superior vintages from prestigious producers and regions will often command much higher prices than those from average vintages. This is especially the case if wines are likely to improve further with some age in the bottle. Some wines are only labeled with a vintage in better-than-average years, to maintain their quality and reputation, while the vast majority of wines are produced to be drunk young and fresh. In such cases, a vintage is usually considered less important. However, it can serve to protect consumers against buying a wine that would not be expected to improve with age and could be past its best, such as with Beaujolais nouveau, a wine style made to be consumed within months of its bottling.
The importance of vintage may sometimes be exaggerated. For example, New York Times wine columnist Frank J. Prial declared the vintage chart to be dead, writing that "winemakers of the world have rendered the vintage chart obsolete" (Prial), and Bill Marsano wrote that "winemakers now have the technology and skills to make good and even very good wines in undistinguished years" (Marsano). James Laube of Wine Spectator has asserted that "even an average vintage can yield some grand wines" (Laube).
Roman Weil, co-chairman of the Oenonomy Society of the US and Professor at the University of Chicago, tested the controversial hypothesis that experienced wine drinkers "cannot distinguish in blind tastings the wine of years rated high from those of years rated low, or, if they can, they do not agree with the vintage chart's preferences" (Weil).
Dr. Weil used wines ranging from four to 17 years beyond their vintage with 240 wine drinkers and found that the tasters could not distinguish between wines of good and bad vintages, (except for Bordeaux wines), and even when they could make a distinction, the match between the tasters' individual assessments and the charts' rankings were little better than tossing a coin. When the tests were replicated with wine experts, including French wine academics, the results were again the same as chance.
Weil does not consider a vintage chart to be useless. He suggests using one to help "find good buys in wine. Buy wine from the Appalling years," which may be priced far below actual quality.
The subject of the importance of vintage is one about which disagreement can be expected to continue.

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SheStillCouldKill

How about it??
She Still Could Kill

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- SheCouldKill -

Which one do you think better??

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Tee

From The ErrorizeD Ace Scoop, I've applied it to T-shirt mock up. . .

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Ace Scoop

This is an ErrorizeD ace scoop playing card. . .



A playing card is a piece of specially prepared heavy paper, thin cardboard, plastic-coated paper, cotton-paper blend, or thin plastic figured with distinguishing motifs and used as one of a set for playing card games. Playing cards are typically palm-sized for convenient handling.
A complete set of cards is called a pack or deck, and the subset of cards held at one time by a player during a game is commonly called a hand. A deck of cards may be used for playing a great variety of card games, some of which may also incorporate gambling. Because playing cards are both standardized and commonly available, they are often adapted for other uses, such as magic tricks, cartomancy, or building a house of cards.
The front (or "face") of each card carries markings that distinguish it from the other cards in the deck and determine its use under the rules of the game being played. The back of each card is identical for all cards in any particular deck, and usually of a single color or formalized design. Usually every card will be smooth however some decks have braille to allow blind people to read the card number and suit. The back of playing cards is sometimes used for advertising. For most games, the cards are assembled into a deck, and their order is randomized by shuffling.

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Javascript Ads

It's the jpeg files before running as a javascript. . .

You can get the javascript here . . .

Yeah, that's so much. . .

N you can see the final result here. . .

But, What is javascript??

JavaScript is a prototype-based scripting language that is dynamic, weakly typed and has first-class functions. It is a multi-paradigm language, supporting object-oriented, imperative, and functional programming styles.
JavaScript was formalized in the ECMAScript language standard and is primarily used in the form of client-side JavaScript, implemented as part of a Web browser in order to provide enhanced user interfaces and dynamic websites. This enables programmatic access to computational objects within a host environment.
JavaScript's use in applications outside Web pages — for example in PDF documents, site-specific browsers, and desktop widgets — is also significant. Newer and faster JavaScript VMs and frameworks built upon them (notably Node.js) have also increased the popularity of JavaScript for server-side web applications.
JavaScript uses syntax influenced by that of C. JavaScript copies many names and naming conventions from Java, but the two languages are otherwise unrelated and have very different semantics. The key design principles within JavaScript are taken from the Self and Scheme programming languages.

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